Emma Richardson Cherry was born in Aurora, Illinois, on February 28, 1859. Her father, Perkins Richardson, was an architect and carpenter and was involved with the building of the city hall in Aurora. Emma began her art studies at the Art Institute of Chicago from 1878 to 1880. She taught art at the University of Nebraska beginning in 1879 for three years. Cherry attended the Art Students League in New York periodically from 1879 to 1885, where she studied with William Merritt Chase, Kenyon Cox, Henry McCarter and Hugh Breckenridge.
Emma’s family moved to Kansas City from Nebraska circa 1882. Around 1885, Emma Richardson Cherry was in Kansas City and had a studio there. She also was a member of the Kansas City Sketch Club when it began in 1885. She was in Kansas City until circa 1887, when she left for Europe to continue her studies at the Académie Julian in Paris and in Venice with Zanetti Zilla.
Returning from her travels in Europe, she joined her husband in Denver, Colorado. She was active in the art scene in Denver and was one of the founders of the Artists’ Club of Denver in February 1893, which developed into the Denver Art Museum. In 1895, Cherry moved to Houston, Texas.
Emma was an integral part of the arts in Houston. She was one of the first professional artists to live and work in that city. There she lectured about Impressionism in 1896 and 1897, and helped bring the first art exhibition in Texas to the Texas Coast Fair in Dickinson in 1896. Emma also co-founded the Houston Public School Art League around 1900. The purpose of this group was to include the arts in public schools by supplying reproductions of famous artworks. Around 1912, the league began working on plans for a museum, and in 1924 Houston's Museum of Fine Arts opened.
In her art, Cherry painted using oils, watercolors, pastel and other mediums. She was influenced by Impressionism and Modernism, which can be seen in her paintings of flowers, landscapes, portraiture and still lifes.
She died on October 29, 1954, in Houston.
Organized by Southern States Art League
Organized by Peabody Institute, Johns Hopkins University
Organized by Women's Art Club of New York
Organized by Sketch Club
Organized by Chicago Art Institute
Organized by Western Art Association
Organized by Chicago Art Institute
Organized by National Academy of Design
Organized by Kansas City Paint Club, Western Art League
Organized by Artists’ Club of Denver
Organized by Kansas City Paint Club, Western Art League
Organized by Chicago Art Institute
Organized by Artists’ Club of Denver
Organized by Chicago Art Institute
Organized by Chicago Art Institute
Organized by Houston Art League
Organized by Museum of Fine Arts (Houston, Texas)
Organized by Southern States Art League
Organized by Sketch Club
Organized by Chicago Art Institute
Organized by Western Art Association
Organized by Chicago Art Institute
Organized by National Academy of Design
Organized by Kansas City Paint Club, Western Art League
Organized by Artists’ Club of Denver
Organized by Kansas City Paint Club, Western Art League
Organized by Chicago Art Institute
Organized by Artists’ Club of Denver
Organized by Chicago Art Institute
Organized by Chicago Art Institute
Organized by Houston Art League
Organized by Museum of Fine Arts (Houston, Texas)
Organized by Southern States Art League
Organized by Southern States Art League
Organized by Peabody Institute, Johns Hopkins University
Organized by Women's Art Club of New York
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Artist clippings file is available at:
Heritage Society at Sam Houston Park, “Promoting the Arts in Early Houston: Emma Richardson Cherry,” accessed April 26, 2022, https://www.heritagesociety.org/emma-richardson-cherry.
Michael R. Grauer, “Texas Impressionism, 1885-1935,” American Art Review XXIV, no. 3 (May-June 2012): 78-89, 127-128.
Carrie Westlake Whitney, Kansas City, Missouri: Its History and People (Chicago: S.J. Clarke Publishing Co., 1908), 597.
Charles Partridge Adams, “The Art Situation in Denver,” Brush and Pencil, 2 no. 2 (May 1898): 57-61.
“Its First Art Exhibit: The Kansas City Paint Club Will Open Its Doors," Kansas City Star, November 14, 1897, 16.
askART (database), askART, https://www.askart.com/.
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
William H. Gerdts, Art Across America: Two Centuries of Regional Painting, 1710-1920 (New York: Abbeville Press, 1990).
Emma Richardson Cherry, Precious Bowl, circa 1925.
Oil/Canvas, 36 x 26 1/8 in.
The Museum of Fine Arts, Houston, Gift of Mrs. William Chilton Maverick, 47.12.
Emma Richardson Cherry, The Spinner, 1894.
Watercolor/Paper, 13 1/2 x 19 3/4 in.
Collection Kirkland Museum of Fine & Decorative Art, 2004.20116.
Unknown, Portrait of Emma Richardson Cherry, n.d.
Photograph.
The Heritage Society at Sam Houston Park Collection.
Roberta Wagener, Nelson-Atkins Museum of Art
Published on May 6, 2022
Artist clippings file is available at:
Heritage Society at Sam Houston Park, “Promoting the Arts in Early Houston: Emma Richardson Cherry,” accessed April 26, 2022, https://www.heritagesociety.org/emma-richardson-cherry.
Michael R. Grauer, “Texas Impressionism, 1885-1935,” American Art Review XXIV, no. 3 (May-June 2012): 78-89, 127-128.
Carrie Westlake Whitney, Kansas City, Missouri: Its History and People (Chicago: S.J. Clarke Publishing Co., 1908), 597.
Charles Partridge Adams, “The Art Situation in Denver,” Brush and Pencil, 2 no. 2 (May 1898): 57-61.
“Its First Art Exhibit: The Kansas City Paint Club Will Open Its Doors," Kansas City Star, November 14, 1897, 16.
askART (database), askART, https://www.askart.com/.
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
William H. Gerdts, Art Across America: Two Centuries of Regional Painting, 1710-1920 (New York: Abbeville Press, 1990).
Roberta Wagener, Nelson-Atkins Museum of Art
Published on May 6, 2022
Updated on None
Wagener, Roberta. "Emma Richardson Cherry." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2022, https://doi.org/10.37764/5776.