Paul Cornoyer

1864 -1923
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BORN
August 15, 1864
Saint Louis, Missouri
DIED
June 17, 1923
East Gloucester, Massachusetts
EDUCATION
GENDER
RACE / ETHNICITY
OCCUPATION
Teacher

Paul Cornoyer was an American Impressionist artist and native of St. Louis who was active in Missouri in the late 19th century. He is known for his cityscapes that capture the atmospheric effects of rain and snow.

Cornoyer was born on August 15, 1864, in St. Louis. He began his studies in art at the St. Louis School of Fine Arts in the 1880s, when he was seventeen. During his time there, Cornoyer worked as a cartoonist for the _Saint Louis Republic _newspaper. He began to exhibit his work in St. Louis in 1887, and then studied in Paris from 1889 to 1894. In Paris his teachers included Jules Lefevre, Benjamin Constant and Louis Blanc. 

Cornoyer returned to St. Louis in 1894, during the height of the American Impressionist movement. At the St. Louis Association of Painters and Sculptors exhibition in 1895, he won the gold medal. Around this time, Cornoyer was commissioned to paint a mural for the staircase of the Planter’s Hotel in St. Louis, for which he was paid $1,000. The mural, titled Birth of St. Louis, is a scene from the founding of the city in 1764. 

In 1896 to 1897, Cornoyer exhibited a painting at the Pennsylvania Academy of Fine Arts Exhibition. This painting caught the attention and appreciation of William Merritt Chase, an early adopter of the Impressionist style in the United States, who encouraged Cornoyer to move to New York. Taking this advice to heart, Cornoyer relocated to  New York in 1898, where he taught at the Mechanics Institute and continued to exhibit his work.

Cornoyer belonged to many artist organizations in his lifetime. He became a member of the Salmagundi Club in New York City in 1902 and won the club’s Inness prize in 1906. In 1909, Cornoyer was elected an associate of the National Academy of Design. He was also a member of the Allied Artists Association, the National Arts Club, the Newark Art Association, and helped found the North Shore Art Association in Gloucester, Massachusetts, in 1916 to 1917. Cornoyer lived, painted and taught in East Gloucester until 1923, the year of his death. 

Award, American Artist Association Exhibition, Paris
Award, St. Louis Association of Painters and Sculptors Exhibition
Award, Salmagundi Club Exhibition
Award, Salmagundi Club Exhibition
Award, Salmagundi Club Exhibition

Awards & Exhibitions 50

Award, American Artist Association Exhibition, Paris
Award, St. Louis Association of Painters and Sculptors Exhibition
Award, Salmagundi Club Exhibition
Award, Salmagundi Club Exhibition
Award, Salmagundi Club Exhibition

References

Artist clippings file is available at:

“Paul Cornoyer: Artist File,” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Bibliography

Select Sources

Lois Marie Fink, American Art at the Nineteenth-Century Paris Salons (Washington, DC: National Museum of American Art, Smithsonian Institution; Cambridge, New York: Cambridge University Press, 1990), 332.

Marie Louise Kane, “American Impressionist Paintings,” The Saint Louis Art Museum Bulletin, XVII, no. 2 (1984): 16-17.

Thomas McCormick and Melissa Williams, Missouri Artists (Columbia: Thomas McCormick and Melissa Williams, 1984), 12.

Lakeview Center for the Arts and Sciences. Paul Cornoyer: American Impressionist (Peoria: Lakeview Center for the Arts and Sciences, 1973).

“Memorial Exhibition of Oil by St. Louis Artists at Kocian’s,” St. Louis Art World: Magazine of Culture, II, no. 2, (October 1932), 5.

“Paul Cornoyer, Artist, Former St. Louisan, Dies,” St. Louis Globe-Democrat, June 18, 1923, 13.

“Art News and Notes of Artists,” The St. Louis Star and Times, December 10, 1922, 32.

Lucile Erskine, “Best Paintings of New York Are From Brush of a St. Louisan: Paul Cornoyer Has Reflected the Brilliant, Nervous Life of the Metropolis, and She Has Richly Rewarded Her Faithful Portrayer,” St. Louis Post-Dispatch, July 9, 1911, 43.

“Work of Missouri Artists in New York to be Shown,” St. Louis Globe-Democrat, January 18, 1910, 13.

“Cornoyer’s Art Reception,” St. Louis Post-Dispatch, December 15, 1898, 10.

“The Summer Man,” St Louis Post-Dispatch, June 23, 1897, 8.

“An American Impressionist: Striking Exhibit at the Museum of Fine Arts,” St. Louis Post-Dispatch, November 16, 1896, 6.

“Art Exhibition,” St. Louis Globe-Democrat, April 17, 1895, 12.

“Artists’ Sketch Club,” St. Louis Post-Dispatch, March 24, 1895, 7.

“St. Louis Artists: They Are Taking Prominent Positions in French Schools,” St. Louis Post-Dispatch, April 3, 1892, 26.


Core Reference Sources

William H. Gerdts, Art Across America: Two Centuries of Regional Painting, 1710-1920 (New York: Abbeville Press, 1990).

Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).

Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).

askART (database), askART, https://www.askart.com/.

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on October 2, 2023

Learn more

References

Artist clippings file is available at:

“Paul Cornoyer: Artist File,” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Bibliography

Select Sources

Lois Marie Fink, American Art at the Nineteenth-Century Paris Salons (Washington, DC: National Museum of American Art, Smithsonian Institution; Cambridge, New York: Cambridge University Press, 1990), 332.

Marie Louise Kane, “American Impressionist Paintings,” The Saint Louis Art Museum Bulletin, XVII, no. 2 (1984): 16-17.

Thomas McCormick and Melissa Williams, Missouri Artists (Columbia: Thomas McCormick and Melissa Williams, 1984), 12.

Lakeview Center for the Arts and Sciences. Paul Cornoyer: American Impressionist (Peoria: Lakeview Center for the Arts and Sciences, 1973).

“Memorial Exhibition of Oil by St. Louis Artists at Kocian’s,” St. Louis Art World: Magazine of Culture, II, no. 2, (October 1932), 5.

“Paul Cornoyer, Artist, Former St. Louisan, Dies,” St. Louis Globe-Democrat, June 18, 1923, 13.

“Art News and Notes of Artists,” The St. Louis Star and Times, December 10, 1922, 32.

Lucile Erskine, “Best Paintings of New York Are From Brush of a St. Louisan: Paul Cornoyer Has Reflected the Brilliant, Nervous Life of the Metropolis, and She Has Richly Rewarded Her Faithful Portrayer,” St. Louis Post-Dispatch, July 9, 1911, 43.

“Work of Missouri Artists in New York to be Shown,” St. Louis Globe-Democrat, January 18, 1910, 13.

“Cornoyer’s Art Reception,” St. Louis Post-Dispatch, December 15, 1898, 10.

“The Summer Man,” St Louis Post-Dispatch, June 23, 1897, 8.

“An American Impressionist: Striking Exhibit at the Museum of Fine Arts,” St. Louis Post-Dispatch, November 16, 1896, 6.

“Art Exhibition,” St. Louis Globe-Democrat, April 17, 1895, 12.

“Artists’ Sketch Club,” St. Louis Post-Dispatch, March 24, 1895, 7.

“St. Louis Artists: They Are Taking Prominent Positions in French Schools,” St. Louis Post-Dispatch, April 3, 1892, 26.


Core Reference Sources

William H. Gerdts, Art Across America: Two Centuries of Regional Painting, 1710-1920 (New York: Abbeville Press, 1990).

Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).

Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).

askART (database), askART, https://www.askart.com/.

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on October 2, 2023

Updated on None

Citation

Wagener, Roberta. "Paul Cornoyer." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2023, https://doi.org/10.37764/5776.