Luis Quintanilla Isasi
1895 -1978
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BORN
June 13, 1895
Santander, Spain
DIED
1978
Madrid, Spain
EDUCATION
University of Deusto
Deusto, Spain
GENDER
RACE / ETHNICITY
OCCUPATION
Lecturer

Luis Quintanilla was born in Santander, Spain, in 1893. During his lifetime, Quintanilla was a muralist and worked in many different mediums. His family moved to Madrid in 1905, where he studied architecture. During this time, he traveled to England, Brazil and Paris. While in Paris, he met Juan Gris. There he began painting. Quintanilla returned to Spain in 1915. In 1920 he traveled to Paris, where he began a friendship with Amedeo Modigliani and author Ernest Hemingway. 

Quintanilla moved to the United States, settling in New York, in January of 1939, which began his thirty-seven year exile from Spain. He was a part of the Rockefeller Foundation’s Committee for Displaced Scholars and Artists program. That same year he painted a mural for the Spanish Pavilion at the World’s Fair in New York titled Love Peace Hate War.

In September 1940, Quintanilla came to the University of Kansas City to serve as the first artist-in-residence at the university. Clarence Decker, the president of the university, commissioned Quintanilla to paint a mural with the theme of 'Don Quixote in the Modern World.' Art students at the university at the time also assisted Quintanilla in painting the mural. While they were helping him, they received instruction in the different techniques of mural painting. The mural has six panels and totals 375 square feet. The murals are on the second floor of Haag Hall. 

During his stay at the university, in addition to working on the mural, Quintanilla also gave lectures on painting and art. Quintanilla used students, staff and faculty as models for his paintings. He died in 1978 in Madrid, Spain.

Note

The artist's work may also be seen at the Museo de Arte Moderno, Madrid, Spain; Musee d’Art Decoratif, Paris, France; Metropolitan Museum of Art, New York; Princeton University, Princeton, New Jersey; Spanish Consulate, Hendaye, France.

Quintanilla received a traveling grant to study the techniques of fresco painting in Florence, Italy. He was there from 1924-1926.

References

Artist clippings file is available at:

“Luis Quintanilla: Artist File.” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Bibliography

Select Sources

Paul Quintanilla, Waiting at the Shore: Art, Revolution, War and Exile in the Life of the Spanish Artist Luis Quintanilla (Eastbourne, Chicago: Sussex Academic Press, 2014).

“Art and World of Luis Quintanilla,” accessed January 21, 2021, http://www.lqart.org/index.html#menu.

Steve Paul, “A family’s global story of war and art takes a surprising turn in Kansas City,” Kansas City Star, March 21, 2016.

Patricia O’Dell, “A Family’s Legacy, A University’s Treasure: Haag Hall Mural Captures an Enduring Pre-World War II Point of View,” Perspectives (Fall 2018): 16-17.

“Hidden Treasures, in Plain Sight,” UMKC Today Archives, October 3, 2008, accessed January 21, 2021, https://info.umkc.edu/news/hidden-treasuresin-plain-sight/.

“Luis Quintanilla Presents the Universal Don Quixote,” Kansas City Star, May 9, 1941, 19.

Luis Quintanilla, “On Painting Don Quixote,” New Letters 70, nos. 3-4 (2004): 95-99.

“Noted Artist to K.C.U: Huge Fresco to be Painted by Luis Quintanilla,” Kansas City Times, June 21, 1940, 4.


Core Reference Sources

Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).

askART (database), askART, https://www.askart.com/.

E. Bénézit, Dictionary of Artists (Paris: Gründ, 2006).

Image Credits

Artwork

Luis Quintanella, Fruit and Flowers, n.d.

Oil on Canvas, 25 1/2 x 21 1/4 in.

Included on The Art and World of Luis Quintanilla website.

Luis Quintanilla, Park Scene, n.d.

Etching, 13 1/4 x 20 in.

Included on The Art and World of Luis Quintanilla website.

Portrait of Artist

Unknown, Luis Quintanilla, 1938.

Photograph.

Included in a Washington Post article, January 12, 1938.

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Learn more

References

Artist clippings file is available at:

“Luis Quintanilla: Artist File.” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Artist’s work in these institutions’ collections

Art Institute of Chicago

University of Missouri, Kansas City

Bibliography

Select Sources

Paul Quintanilla, Waiting at the Shore: Art, Revolution, War and Exile in the Life of the Spanish Artist Luis Quintanilla (Eastbourne, Chicago: Sussex Academic Press, 2014).

“Art and World of Luis Quintanilla,” accessed January 21, 2021, http://www.lqart.org/index.html#menu.

Steve Paul, “A family’s global story of war and art takes a surprising turn in Kansas City,” Kansas City Star, March 21, 2016.

Patricia O’Dell, “A Family’s Legacy, A University’s Treasure: Haag Hall Mural Captures an Enduring Pre-World War II Point of View,” Perspectives (Fall 2018): 16-17.

“Hidden Treasures, in Plain Sight,” UMKC Today Archives, October 3, 2008, accessed January 21, 2021, https://info.umkc.edu/news/hidden-treasuresin-plain-sight/.

“Luis Quintanilla Presents the Universal Don Quixote,” Kansas City Star, May 9, 1941, 19.

Luis Quintanilla, “On Painting Don Quixote,” New Letters 70, nos. 3-4 (2004): 95-99.

“Noted Artist to K.C.U: Huge Fresco to be Painted by Luis Quintanilla,” Kansas City Times, June 21, 1940, 4.


Core Reference Sources

Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).

askART (database), askART, https://www.askart.com/.

E. Bénézit, Dictionary of Artists (Paris: Gründ, 2006).

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Updated on None

Citation

Wagener, Roberta. "Luis Quintanilla." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.