Arthur Kraft was an American painter, muralist, and sculptor whose work was influenced by artistic movements like Realism, Surrealism, Abstract Expressionism and Expressionism. While Kraft experimented with artistic styles and subjects, his work is often identifiable because of his use of symbolism, whimsy and a skilled use of color.
Kraft’s interest in art started early when at age thirteen he began taking art classes at the Nelson-Atkins Museum of Art. He attended the Kansas City Art Institute briefly before he transferred to Yale University’s School of Fine Arts. Kraft’s education was interrupted while he served in World War II, but upon his return he graduated from Yale and was awarded the Alice Kimball English Fellowship for travel and study abroad.
In 1946, Kraft won the Audubon Artist Society national award for his humorously titled painting, New York as Seen by a Casual Observer Through My Great Aunt Jennifer’s Ouija Board. Kraft’s successes continued throughout the 1940s and 50s with a one-man exhibition at the Salon de Jean Cocteau, Paris; Jacques Seligmann & Company, New York; the Landau Galleries, Los Angeles, and with significant commissions of murals, sculpture, and stained glass. In 1954, Kraft was named by the U.S. Junior Chamber of Commerce one of the Ten Most Outstanding Young Men in America. During this period his commercial work also flourished with his illustrations appearing on the covers of Fortune, Time and other national magazines. In 1958, Kraft illustrated his longtime friend Lon Amick's widely acclaimed book, The Divine Journey: A Guide to Spiritual Understanding.
In 1959, Kraft was assaulted one evening and many cite this as a turning point in Kraft’s physical and mental health. Although supported by a wide network of friends, Kraft struggled with his finances and substance abuse for the remainder of his life, spending time in the Glore Psychiatric Hospital in St. Joseph, Missouri. He documented his experiences at Glore with harrowing drawings and poetic writings he published as a limited edition artist’s book, Sounds of Fury, "in the hope that those who view it can help to alter…” the suffering he witnessed while a patient.
Kraft spent most of his life in his hometown of Kansas City and was highly regarded, with Thomas Hart Benton reported to have said, “He has better technique than I do, if he’d only work harder at it.” His murals, sculptures, stained glass and paintings are in public places and homes throughout the city and the United States. His final work, before his death from cancer at the age of fifty-five in 1977, was a mural he created for the waiting room of the Veterans Hospital in Topeka, Kansas.
Kraft’s work and artistic legacy have been revisited in recent years with retrospective exhibitions at The Albrecht-Kemper Museum of Art in St. Joseph, Missouri in 2002, The Carter Art Center on the campus of the Metropolitan Community College, Kansas City, Missouri in 2003, and the Glore Psychiatric Museum, 2020. In 2007, Betty Brand established the Arthur Kraft Memorial Scholarship for the Visual Arts at the Metropolitan Community College in Kansas City to support students and continue Kraft’s artistic legacy.
Select Public works:
Arthur Kraft’s public works are scattered throughout the United States, here are some selections in the Kansas City Region:
Penguin Court bronze sculptures, Kansas City’s Country Club Plaza.
Missouri Public Service Company’s new building, current location unknown
Circus animal mosaic designed for the Children’s Library, part of the Kansas City Public Library, current location unknown
The Family sculpture/fountain located at the Executive Plaza Building at 720 Main, current location unknown
Westport Bank mural, removed before demolition and now in storage
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by American Academy of Arts and Letters
Organized by Jacques Seligmann Gallery
Organized by Jacques Seligmann Gallery
Organized by Palais Royale
Organized by Whitney Museum of American Art
Organized by Nelson-Atkins Museum of Art
Organized by Country Club Plaza
Organized by Kansas City Art Institute
Organized by Landau Gallery
Organized by Country Club Plaza
Organized by Country Club Plaza
Organized by Architectural League of New York
Organized by Country Club Plaza
Organized by Swope Park Methodist Church
Organized by Country Club Plaza
Organized by Little Gallery Frame Shop
Organized by Women's City Club
Organized by Country Club Plaza
Organized by Little Gallery of the University of Kansas City
Organized by Palmer House of Frames
Organized by Home Savings Association
Organized by Palmer Gallery
Organized by Helzberg's Plaza
Organized by Palmer House
Organized by Barn Gallery
Organized by Raach’s Plaza Galleria
Organized by Art School of the Ozarks
Organized by Raach’s Plaza Galleria
Organized by Barn Gallery
Organized by College of the Ozarks
Organized by Unity Church on the Plaza
Organized by Community Christian Church
Organized by Carter Art Center
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by American Academy of Arts and Letters
Organized by Jacques Seligmann Gallery
Organized by Jacques Seligmann Gallery
Organized by Palais Royale
Organized by Whitney Museum of American Art
Organized by Nelson-Atkins Museum of Art
Organized by Country Club Plaza
Organized by Kansas City Art Institute
Organized by Landau Gallery
Organized by Country Club Plaza
Organized by Country Club Plaza
Organized by Architectural League of New York
Organized by Country Club Plaza
Organized by Swope Park Methodist Church
Organized by Country Club Plaza
Organized by Little Gallery Frame Shop
Organized by Women's City Club
Organized by Country Club Plaza
Organized by Little Gallery of the University of Kansas City
Organized by Palmer House of Frames
Organized by Home Savings Association
Organized by Palmer Gallery
Organized by Helzberg's Plaza
Organized by Palmer House
Organized by Barn Gallery
Organized by Raach’s Plaza Galleria
Organized by Art School of the Ozarks
Organized by Raach’s Plaza Galleria
Organized by Barn Gallery
Organized by College of the Ozarks
Organized by Unity Church on the Plaza
Organized by Community Christian Church
Organized by Carter Art Center
Artist clippings file is available at:
"Arthur Kraft: artist file." Spencer Art Reference Library, Nelson-Atkins Museum of Art, Kansas City, Missouri.
Robert K. Sanford, “Surprise, Humor in Arthur Kraft Show,” Kansas City Star, May 27, 1962, 9F.
Robert K. Sanford, “Splash of Color in Kraft Show,” Kansas City Star, November 10, 1963, 9F.
Bob Sanford, “Studio of Arthur Kraft Offers a Passing Show,” Kansas City Star, July 29, 1955, 18.
“Arthur Kraft (1922-1977),” In Roland Sabates, The Oak Street Mansion: The History, Art and Sculpture of Kansas City’s Small Art Hotel, (Kansas City: Rockhill Books, Kansas City Star Books, 2013), 66-67.
Heather N. Paxton, “Toast to Olde Tymes: Arthur Kraft,” The Independent, January 9, 2021. Accessed November 8, 2024. https://kcindependent.com/yesterday-and-today-arthur-kraft/
“Ozark Show Opens Soon,” Kansas City Star, June 29, 1969, 12G.
Paul V. Miner, “Kansas Citian’s Art Here After Success in New York,” Kansas City Star, May 29, 1949, 3C.
Jim Lapham, “Accounts Acrid to an Artist,” Kansas City Star, January 11, 1970, 1A, 14A.
“Kraft Turns to Littler Brushes,” Kansas City Times, May 14, 1964, 1D.
Elisabeth Kirsch, “Saving a Kansas City Treasure,” KC Studio, XII, no. 4 (July/August 2020): 26.
“Kansas City Artist, Arthur Kraft, Dies,” Kansas City Times, September 29, 1977, 4F.
Edward Alden Jewell, “‘Twenty-Five and Under’ – Yesterday and Now – Painters and Sculptors,” New York Times, June 8, 1947, X6.
Jonathan Houghton, “Art of New Imaginings,” St. Joseph News-Press, November 29, 2002.
“Honor to Arthur Kraft: His Work Will Be Represented in International Exhibit,” Kansas City Star, May 4, 1956, 24.
D.P. Breckenridge, “Ambassador’s Walls Reveal a Mural, a Mystery,” Kansas City Star, June 29, 1983, 1, 12.
“Arthur Kraft’s Creativity,” Kansas City Times, September 30, 1977, 36.
“Arthur Kraft in Debut,” Art Digest, 23, no. 15 (May 1, 1949): 19.
“Art Notes,” Kansas City Star, October 3, 1971, 10J.
“Los Angeles Events,” Art Digest, 25, no. 11 (March 1, 1951): 12.
"Artists by State," Smithsonian American Art Museum, https://americanart.si.edu/search/artists?content_type=person.
Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).
askART (database), askART, https://www.askart.com/.
Arthur M. Kraft, Paganini, 1942.
Egg tempera on masonite, 16 x 16 in.
The Nelson-Atkins Museum of Art, Gift of the Artist, 77-25.
Reproduced with permission of The Nelson-Atkins Museum of Art.
Arthur Kraft, Kansas, from the United States Series, circa 1946-1949.
Gouache on paper mounted on paperboard, 9 3/4 x 8 3/8 in.
Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.165
Unknown, Authur Kraft with Albert, 1960.
Photograph.
AP wirephoto.
Amelia Nelson, Nelson-Atkins Museum of Art
Roberta Wagener, Nelson-Atkins Museum of Art
Amanda Harlan, Nelson-Atkins Museum of Art
Artist record updated on November 8, 2024
Published on September 20, 2021
Updated on November 8, 2024
Artist clippings file is available at:
"Arthur Kraft: artist file." Spencer Art Reference Library, Nelson-Atkins Museum of Art, Kansas City, Missouri.
Kansas City Public Library
Robert K. Sanford, “Surprise, Humor in Arthur Kraft Show,” Kansas City Star, May 27, 1962, 9F.
Robert K. Sanford, “Splash of Color in Kraft Show,” Kansas City Star, November 10, 1963, 9F.
Bob Sanford, “Studio of Arthur Kraft Offers a Passing Show,” Kansas City Star, July 29, 1955, 18.
“Arthur Kraft (1922-1977),” In Roland Sabates, The Oak Street Mansion: The History, Art and Sculpture of Kansas City’s Small Art Hotel, (Kansas City: Rockhill Books, Kansas City Star Books, 2013), 66-67.
Heather N. Paxton, “Toast to Olde Tymes: Arthur Kraft,” The Independent, January 9, 2021. Accessed November 8, 2024. https://kcindependent.com/yesterday-and-today-arthur-kraft/
“Ozark Show Opens Soon,” Kansas City Star, June 29, 1969, 12G.
Paul V. Miner, “Kansas Citian’s Art Here After Success in New York,” Kansas City Star, May 29, 1949, 3C.
Jim Lapham, “Accounts Acrid to an Artist,” Kansas City Star, January 11, 1970, 1A, 14A.
“Kraft Turns to Littler Brushes,” Kansas City Times, May 14, 1964, 1D.
Elisabeth Kirsch, “Saving a Kansas City Treasure,” KC Studio, XII, no. 4 (July/August 2020): 26.
“Kansas City Artist, Arthur Kraft, Dies,” Kansas City Times, September 29, 1977, 4F.
Edward Alden Jewell, “‘Twenty-Five and Under’ – Yesterday and Now – Painters and Sculptors,” New York Times, June 8, 1947, X6.
Jonathan Houghton, “Art of New Imaginings,” St. Joseph News-Press, November 29, 2002.
“Honor to Arthur Kraft: His Work Will Be Represented in International Exhibit,” Kansas City Star, May 4, 1956, 24.
D.P. Breckenridge, “Ambassador’s Walls Reveal a Mural, a Mystery,” Kansas City Star, June 29, 1983, 1, 12.
“Arthur Kraft’s Creativity,” Kansas City Times, September 30, 1977, 36.
“Arthur Kraft in Debut,” Art Digest, 23, no. 15 (May 1, 1949): 19.
“Art Notes,” Kansas City Star, October 3, 1971, 10J.
“Los Angeles Events,” Art Digest, 25, no. 11 (March 1, 1951): 12.
"Artists by State," Smithsonian American Art Museum, https://americanart.si.edu/search/artists?content_type=person.
Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).
askART (database), askART, https://www.askart.com/.
Amelia Nelson, Nelson-Atkins Museum of Art
Roberta Wagener, Nelson-Atkins Museum of Art
Amanda Harlan, Nelson-Atkins Museum of Art
Published on September 20, 2021
Updated on November 8, 2024
Harlan, Amanda, Roberta Wagener and Amelia Nelson. "Arthur Kraft." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.