Flora Carnell Lewis

Photo of Flora Carnell Lewis
Flora Carnell Lewis, Flora Carnell Bell, Flora Carnell Turner, Flora Carnell Washinton
1903 -1972
  • Print
BORN
January 12, 1903
Atchison, Kansas
DIED
January 27, 1972
Atchison, Kansas
EDUCATION
Atchison High School
Atchison, Missouri
GENDER
RACE / ETHNICITY
OCCUPATION
Seamstress

Flora Carnell Lewis was born on January 12, 1903, and raised in Atchison, Kansas. She was a self-taught artist who specialized in painting. She began painting when she was around six years old. Lewis also was a seamstress later in her life and worked in needlework, knitting, crochet and embroidery.

In 1933, Flora Lewis won a prize at the Chicago World’s Fair for a painted pillow titled Suffer the Little Children to Come Unto Me. In August 1939, Lewis’ painting Farm Life won the first prize in the amateur art competition at the Missouri State Fair. The painting, a landscape farm scene with animals, a house, and a portrait of Percy and Flora Lewis in a horse-drawn buggy, was painted with oil and aluminum shellac on muslin in a folk art style. Lewis said that she made the painting for her husband.

A controversy began when the other artists entered in the contest protested the painting taking the first prize, over the lack of perspective in the painting’s composition. The judge of the competition was Austin Faricy, aesthetics professor at Stephens College for Women in Columbia, Missouri. He stated that Farm Life was “the finest example of primitive art I ever have seen” (Kansas City Star, August 23, 1939). The painting was also shown at a “tea” at the Big Sister Home in Kansas City in early October 1939.

Farm Life was exhibited at the Museum of Modern Art in New York as a part of the Contemporary Unknown American Painters exhibition in 1939. According to They Taught Themselves, Lewis was the only Missouri artist and the only African American woman artist represented in the exhibition.

Flora Lewis also made religious paintings with Christian subjects such as Christ and the Woman at the Well. These were made for ministers who displayed them in church as an illustration for their sermon.

Flora died on January 27, 1972, in Atchison, Kansas, and is interred at Oak Hill Cemetery.

Note

Flora Lewis won first prize at the 1971 River Bend Art Fair in Atchison, Kansas, for her painting, Advancement and Patriotism of Negro Race. She described her painting with the following explanation, "You see in the painting the cotton fields, the slaves picking. You see the old slave man, the shackles of chains of slavery beneath his feet. The old man is looking at the ghostly figure in the grave yard of Abraham Lincoln whom has passed on to the Great Beyonds. These are memories he has in his mind of the Great Man that freed him from shackles of slavery. You see the air craft in the air. You see the dead man in the water, oil burning in the water from the bombs dropped from the planes in the air. You see the WAC's, Marines, Sidney Brooks, first aviator, Red Cross in the factory who now is now wearing an old Stetson hat, a nice suit. This is advancement from the shackles to the factory putting the cotton into garments for our government during World War II to 1944, V.J. Day. See Mrs. Boyd of Boyd's Funeral Home, Cleveland, Ohio, our floor lady holding the flag. You may see the scales of equality for our government, one nation with individual liberty and justice for all." -- American Folk Art: from the Ozarks to the Rockies, exhibition catalog, p. [8].

Award, Chicago World’s Fair
Award, Missouri State Fair
Award, River Bend Art Fair

Awards & Exhibitions 5

Award, Chicago World’s Fair
Award, Missouri State Fair
Award, River Bend Art Fair

References

Artist clippings file is available at:

“Flora Lewis: Artist File,” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri.

Bibliography

Select Sources

Sam Blain, “Research on Missouri Artists,” five binders of documented Missouri artists.

Museum of Modern Art, Exhibition History, Contemporary Unknown American Painters, accessed September 4, 2021, https://www.moma.org/calendar/exhibitions/2091.

“Washington, Flora Carnell,” in Philbrook Art Center, American Folk Art From the Ozarks to the Rockies (Tulsa: Philbrook Art Center, 1975), no. 68-69.

“Lewis, Mrs. Percy,” in Theresa Dickason Cederholm, Afro-American Artists: A Bio-Bibliographical Dictionary, (Boston: Trustees of the Boston Public Library, 1973,) 180.

“Flora Lewis,” in Sidney Janis, They Taught Themselves: American Primitive Painters of the 20th Century. (New York: The Dial Press, 1942), 208-212

“Tea at Big Sister Home,” Kansas City Times, October 2, 1939.

“‘Farm Life,’ by Mrs. Percy Lewis,” The Arts Quarterly, 2, no. 3 (September 1939): 18

James K. Hutsell, “Missouri Manuscript,” Warrenton Banner, September 8, 1939, 2.

“Her Second Art Prize: Painting Award at Fair Does Not Surprise Mrs. Percy Lewis,” Kansas City Times, August 24, 1939, 1.

“A Stir Over Art Prize,” Kansas City Times, August 23, 1939, 1.


Core Reference Sources

Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).

Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).

askART (database), askART, https://www.askart.com/.

Image Credits

Artwork

Flora Lewis, Advancement and Patriotism of Negro Race, n.d.

Oil/Canvas, 30 x 30 in.

Flora Lewis, Farm Life, 1938.

Oil and aluminum shellac/Muslin.

Portrait of Artist

Unknown, Flora Lewis, n.d.

Photograph.

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Learn more

References

Artist clippings file is available at:

“Flora Lewis: Artist File,” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri.

Bibliography

Select Sources

Sam Blain, “Research on Missouri Artists,” five binders of documented Missouri artists.

Museum of Modern Art, Exhibition History, Contemporary Unknown American Painters, accessed September 4, 2021, https://www.moma.org/calendar/exhibitions/2091.

“Washington, Flora Carnell,” in Philbrook Art Center, American Folk Art From the Ozarks to the Rockies (Tulsa: Philbrook Art Center, 1975), no. 68-69.

“Lewis, Mrs. Percy,” in Theresa Dickason Cederholm, Afro-American Artists: A Bio-Bibliographical Dictionary, (Boston: Trustees of the Boston Public Library, 1973,) 180.

“Flora Lewis,” in Sidney Janis, They Taught Themselves: American Primitive Painters of the 20th Century. (New York: The Dial Press, 1942), 208-212

“Tea at Big Sister Home,” Kansas City Times, October 2, 1939.

“‘Farm Life,’ by Mrs. Percy Lewis,” The Arts Quarterly, 2, no. 3 (September 1939): 18

James K. Hutsell, “Missouri Manuscript,” Warrenton Banner, September 8, 1939, 2.

“Her Second Art Prize: Painting Award at Fair Does Not Surprise Mrs. Percy Lewis,” Kansas City Times, August 24, 1939, 1.

“A Stir Over Art Prize,” Kansas City Times, August 23, 1939, 1.


Core Reference Sources

Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).

Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).

askART (database), askART, https://www.askart.com/.

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Updated on None

Citation

Wagener, Roberta. "Flora Lewis." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.