Joseph Meert was a Belgian-American artist who trained as a regionalist painter under Thomas Hart Benton, then turned toward abstraction later in his career. He believed the purpose of art was to express the beauty of nature, both through representational paintings and abstract compositions.
Joseph John Paul Meert was born on April 28, 1905, in Brussels, Belgium. His family immigrated to Kansas City when he was five years old, where his father worked as a carpenter for the Union Pacific Railroad. Meert received a scholarship to attend the Kansas City Art Institute from 1923 to 1926. He then studied at the Art Students League of New York, where he was mentored by some of the most famous painters at the time: Kenneth Hayes Miller, Boardman Robinson, John Sloan and Thomas Hart Benton. There he also developed a friendship with brothers Charles and Jackson Pollock.
In 1935, Joseph Meert met Margaret Mullin, a New York artist and painter, and they soon married. He then took a job at the Kansas City Art Institute as Thomas Hart Benton's assistant from 1935-1941. During this time, Meert painted four murals in Missouri and Indiana for the Work Projects Administration. He also belonged to the Ste. Genevieve Art Colony for several years in Ste. Genevieve, Missouri.
After Thomas Hart Benton left the Kansas City Art Institute in 1941, Joseph Meert and Margaret Mullin returned to New York City. In 1946, they joined an experimental artist group devoted to abstract art. This was a turning point in Meert's career, leading him to explore abstract painting and other materials such as stained glass. Meert and Mullin also deepened their friendship with Jackson Pollock and Lee Krasner. In 1943, Meert saved Pollock's life after finding him passed out drunk in a snowbank.
Despite his renown within the art world, Joseph Meert never found financial success, and toward the end of his life his mental and physical health deteriorated because of it. After Mullin's death in 1980, Meert developed a deep depression that was incorrectly diagnosed as schizophrenia. With no income besides Social Security, he became a ward of the state and was placed in a nursing home under heavy sedatives.
In 1985, author Jeffrey Potter discovered Meert's condition while writing a Jackson Pollock biography. The Pollock-Krasner foundation soon gave a grant that allowed Meert to move to a better facility in Cheshire, Connecticut. There he began painting again with the help of art therapists, and created a final body of abstract watercolors before he died in 1989.
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by Colorado Springs Fine Arts Center
Organized by Kansas City Art Institute
Organized by Women's City Club
Organized by Works Progress Administration
Organized by Kansas City Art Institute
Organized by New York World's Fair Corporation
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by Library of Congress
Organized by Artists' Gallery
Organized by Ganso Gallery
Organized by Nonagon Gallery
Organized by Parsons School of Design
Organized by Century Association
Organized by Aaron Galleries
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by Colorado Springs Fine Arts Center
Organized by Kansas City Art Institute
Organized by Women's City Club
Organized by Works Progress Administration
Organized by Kansas City Art Institute
Organized by New York World's Fair Corporation
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by Kansas City Art Institute
Organized by Library of Congress
Organized by Artists' Gallery
Organized by Ganso Gallery
Organized by Nonagon Gallery
Organized by Parsons School of Design
Organized by Century Association
Organized by Aaron Galleries
Artist clippings file is available at:
Jannes Library, Kansas City Art Institute, Kansas City, Missouri.
Marianne Berardi and Henry Adams, Under the Influence : The Students of Thomas Hart Benton (St. Joseph, MO: Albrecht-Kemper Museum of Art, 1993), 113.
"Artist: Joseph Meert," Living New Deal, University of California, accessed October 4, 2021, https://livingnewdeal.org/artists/joseph-meert/.
Phyllis Braff, "A Pollock Friend and a Design Innovator," New York Times, September 25, 1994.
Arthur D. Hittner, "Joseph Meert (1905-1989)," Painting the American Scene, accessed September 24, 2021, https://www.paintingtheamericanscene.com/meert-joseph.
"Joseph Meert (1905-1989)," Pollock-Krasner House and Study Center, accessed October 4, 2021, https://pkhouse.pastperfectonline.com/webobject/8467A140-1060-4915-9C1C-703438512330.
"Joseph Meert," Aaron Galleries, accessed October 4, 2021, https://aarongalleries.com/product-category/artists/joseph-meert/.
Scott Kerr and R. H. Dick, An American Art Colony: The Art and Artists of Ste. Genevieve, Missouri 1930-1940 (St. Louis: McCaughen & Burr Press, 2004).
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).
askART (database), askART, https://www.askart.com/.
Joseph Meert, Surveyors, 1934
Tempera on fiberboard, 60 1/8 x 48 in.
Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.50.
Unknown, Joseph Meert, n.d.
Photograph.
Included in Scott Kerr and R.H. Dick, An American Art Colony: The Art and Artists of Ste. Genevieve, Missouri 1930-1940 (St. Louis: McCaughen & Burr Press, 2004), 209.
Elinore Noyes, Kansas City Art Institute
Published on October 4, 2021
Artist clippings file is available at:
Jannes Library, Kansas City Art Institute, Kansas City, Missouri.
Marianne Berardi and Henry Adams, Under the Influence : The Students of Thomas Hart Benton (St. Joseph, MO: Albrecht-Kemper Museum of Art, 1993), 113.
"Artist: Joseph Meert," Living New Deal, University of California, accessed October 4, 2021, https://livingnewdeal.org/artists/joseph-meert/.
Phyllis Braff, "A Pollock Friend and a Design Innovator," New York Times, September 25, 1994.
Arthur D. Hittner, "Joseph Meert (1905-1989)," Painting the American Scene, accessed September 24, 2021, https://www.paintingtheamericanscene.com/meert-joseph.
"Joseph Meert (1905-1989)," Pollock-Krasner House and Study Center, accessed October 4, 2021, https://pkhouse.pastperfectonline.com/webobject/8467A140-1060-4915-9C1C-703438512330.
"Joseph Meert," Aaron Galleries, accessed October 4, 2021, https://aarongalleries.com/product-category/artists/joseph-meert/.
Scott Kerr and R. H. Dick, An American Art Colony: The Art and Artists of Ste. Genevieve, Missouri 1930-1940 (St. Louis: McCaughen & Burr Press, 2004).
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).
askART (database), askART, https://www.askart.com/.
Elinore Noyes, Kansas City Art Institute
Published on October 4, 2021
Updated on None
Noyes, Elinore. "Joseph Meert." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.