Henry Varnum Poor was born on September 30, 1887, in Chapman, Kansas. From 1896-1905 his family lived in Kansas City, Missouri, where his father, A.J. Poor, was a member of the Kansas City Board of Trade. In Kansas City, Poor attended the Manual Training School, where he studied drafting, carpentry, and other industrial arts.
Poor moved with his mother and his siblings to Palo Alto, California, and in 1910 he graduated from Stanford University. After graduating, he traveled to Europe where he studied art with Walter Sickert at the Slade School of Art in London and at the Académie Julian in Paris with Jean-Paul Laurens and Lucien Simon. Poor returned to California and taught at Stanford from 1911-1914, and then at the California School of Fine Art from 1915-1918.
During WWI he served as a camoflager in France and was transferred to the regular war art staff before the armistice was signed. Here he produced watercolors, drawings and lithographs from the war.
After the war, he moved to Rockland County, New York, in 1919 and designed and built his home and studio called "Crow House." In the 1920s, he focused on applied arts, especially painted pottery and handcrafted bathrooms. He returned to painting in 1929, and began experimenting with traditional fresco painting in the 1930s, completing mural commissions for the Works Progress Administration.
In the late 1930s he received commissions to illustrate several books, including Ethan Frome by Edith Wharton, The Scarlet Letter by Nathaniel Hawthorne and The Call of the Wild by Jack London. He also wrote and illustrated his own book called Artist Sees Alaska, published in 1945, and another one titled A Book of Pottery in 1958.
In 1946 he co-founded the Skowhegan School of Painting and Sculpture in Maine and was its first president. From 1952-1955 he was a guest professor of painting at Columbia University in New York.
Poor was a member of several organizations, including the National Academy, San Francisco Art Association, the California Art Club, and the National Institute of Arts and Letters.
He died on December 8, 1970, in New City, New York.
Organized by Kansas City Art Institute
Organized by Panama Pacific Exposition Company
Organized by San Francisco Art Association
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Carnegie Institute
Organized by Art Institute of Chicago
Organized by Carnegie Institute
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by San Francisco Bay Exposition Inc.
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Virginia Museum of Fine Arts
Organized by Art Institute of Chicago
Organized by Kansas City Art Institute
Organized by Panama Pacific Exposition Company
Organized by San Francisco Art Association
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Carnegie Institute
Organized by Art Institute of Chicago
Organized by Carnegie Institute
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by San Francisco Bay Exposition Inc.
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Art Institute of Chicago
Organized by Virginia Museum of Fine Arts
Organized by Art Institute of Chicago
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Artist clippings file is available at:
Peter Hastings Falk and Andrea Ansell Bien, eds. The Annual Exhibition Record of the Art Institute of Chicago 1888-1950 (Madison: Sound View Press, 1990), 714-715.
Elaine Levin, The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms (New York, NY: Harry N. Abrams Inc., Publishers, 1988).
Linda Stiegleder, “Henry Varnum Poor 1887-1970,” American Craft 44, no. 1 (February/March 1984).
“Selected Exhibitions,” Harold E. Dickson and Richard Porter, Henry Varnum Poor, 1887-1970: A Retrospective Exhibition (University Park, PA: The Museum, 1983), 91-93.
Garth Clark and Margie Hughto, A Century of Ceramics in the United States: A Study of It’s Development (Syracuse, NY: Everson Museum with E.P. Dutton and Co. Inc., 1979).
Henry Varnum Poor, A Book of Pottery: From Mud into Immorality (New York, NY: Prentice Hall, Inc., 1958).
Archives of American Art, Smithsonian Institution, https://www.aaa.si.edu/.
Oxford Art Online, Oxford University Press, https://www.oxfordartonline.com/.
Union List of Artist Names Online, Getty Research Institute, https://www.getty.edu/research/tools/vocabularies/ulan/.
E. Bénézit, Dictionary of Artists (Paris: Gründ, 2006).
Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).
askART (database), askART, https://www.askart.com/.
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
Henry Varnum Poor, Seascape, n.d.
Oil/Canvas, 36 1/16 x 41 1/8 in.
The Nelson-Atkins Museum of Art, Gift of Mr. and Mrs. Charles Dixon, F88-33.
Reproduced with permission of The Nelson-Atkins Museum of Art.
Henry Varnum Poor, Commemorative Pedestal Dish, 1932.
Earthenware with glaze, 5 x 14 1/2 in.
The Nelson-Atkins Museum of Art, Gift of Mrs. H. S. Stone, H. E. Poor and Henry Varnum Poor in memory of Mr. and Mrs. A. J. Poor, 40-43.
Reproduced with permission of The Nelson-Atkins Museum of Art.
Paul Juley, Henry Varnum Poor, n.d.
Black and white study print, 8 x 10 in.
Henry Varnum Poor, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0075797.
Roberta Wagener, Nelson-Atkins Museum of Art
Published on February 4, 2022
Artist clippings file is available at:
Nelson-Atkins Museum of Art
Peter Hastings Falk and Andrea Ansell Bien, eds. The Annual Exhibition Record of the Art Institute of Chicago 1888-1950 (Madison: Sound View Press, 1990), 714-715.
Elaine Levin, The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms (New York, NY: Harry N. Abrams Inc., Publishers, 1988).
Linda Stiegleder, “Henry Varnum Poor 1887-1970,” American Craft 44, no. 1 (February/March 1984).
“Selected Exhibitions,” Harold E. Dickson and Richard Porter, Henry Varnum Poor, 1887-1970: A Retrospective Exhibition (University Park, PA: The Museum, 1983), 91-93.
Garth Clark and Margie Hughto, A Century of Ceramics in the United States: A Study of It’s Development (Syracuse, NY: Everson Museum with E.P. Dutton and Co. Inc., 1979).
Henry Varnum Poor, A Book of Pottery: From Mud into Immorality (New York, NY: Prentice Hall, Inc., 1958).
Archives of American Art, Smithsonian Institution, https://www.aaa.si.edu/.
Oxford Art Online, Oxford University Press, https://www.oxfordartonline.com/.
Union List of Artist Names Online, Getty Research Institute, https://www.getty.edu/research/tools/vocabularies/ulan/.
E. Bénézit, Dictionary of Artists (Paris: Gründ, 2006).
Anita Jacobsen, Jacobsen's Biographical Index of American Artists (Carrollton: A.J. Publications, 2002).
askART (database), askART, https://www.askart.com/.
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
Roberta Wagener, Nelson-Atkins Museum of Art
Published on February 4, 2022
Updated on None
Wagener, Roberta and Sarah Biggerstaff. "Henry Varnum Poor." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021,https://doi.org/10.37764/5776.