Adelaide Alsop Robineau was a potter and ceramicist. She was born on April 9, 1865, in Middletown, Connecticut. Robineau was interested in art from a young age and taught herself china painting from books. She studied painting with William Merritt Chase in New York City, and later studied at Alfred University under the renowned potter Charles Binns.
In 1899, Robineau married fellow artist Samuel Robineau, and the two started Keramic Studio, a monthly publication for ceramic artists.
Robineau’s work can be recognized by its use of carving or excising to create delicate patterns in the surface of the piece. She was strongly influenced by the Arts and Crafts movement and its emphasis on quality materials and craftsmanship, and later by Taxile Doat, a French ceramic artist known for his writings on porcelain ceramics. She also developed a distinctive 'high-fire bronze' technique involving matte glaze that did not obscure her delicate carvings.
Robineau and Doat were both in residence in University City, Missouri, from 1909-1911, during which Robineau produced an estimated ninety vases. During this time, she created her most iconic piece, Apotheosis of the Toiler, also known as the Scarab Vase, which infamously took over 1,000 hours to carve. The vase later claimed first prize in ceramics at both the Turin, Italy, International Exhibition in 1911 and the Pan-Pacific International Exposition, San Francisco, in 1915.
Robineau also exhibited at the Syracuse Arts and Crafts Exhibition in 1903, the Louisiana Purchase Exposition, St. Louis, in 1904, The Art Institute of Chicago Arts and Crafts Exhibition in 1905 and 1913, and at the Paris Salon in 1912. By the time Robineau left University City, she had established herself at the top of her field.
Robineau and her husband moved to Syracuse, New York, in 1911, where they set up a studio known as Four Winds. In 1916, the Syracuse Museum of Fine Arts (now the Everson Museum) acquired some thirty-two of Robineau’s vases, which can still be viewed in the museum’s collection today. The Saint Louis Art Museum also holds one of Robineau’s vases in its permanent collection. Robineau died on February 18, 1929, in Syracuse.
Organized by United Crafts
Organized by Louisiana Purchase Exposition Corporation
Organized by Art Institute of Chicago
Organized by Société Nationale des Beaux-Arts
Organized by Art Institute of Chicago
Organized by Panama Pacific Exposition Company
Organized by Saint Louis Art Museum
Organized by United Crafts
Organized by Louisiana Purchase Exposition Corporation
Organized by Art Institute of Chicago
Organized by Société Nationale des Beaux-Arts
Organized by Art Institute of Chicago
Organized by Panama Pacific Exposition Company
Organized by Saint Louis Art Museum
Artist clippings file is available at:
"Adelaide Alsop Robineau: Artist File." St. Louis Public Library, St. Louis, Missouri.
Adelaide Alsop Robineau papers, 1904-1946, Archives of American Art, Smithsonian Institution.
David Conradsen and Ellen Paul Denker, University City Ceramics: Art Pottery of the American Woman's League (St. Louis: St. Louis Art Museum, 2004), 39-51.
Thomas Piche Jr. and Julia A. Monti, Only an Artist: Adelaide Alsop Robineau, American Studio Painter (Syracuse: Everson Museum of Art, 2006).
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
Archives of American Art, Smithsonian Institution, https://www.aaa.si.edu/.
St. Louis Public Library, Dictionary of Saint Louis Artists (St. Louis: St. Louis Public Library, 1993).
Oxford Art Online, Oxford University Press, https://www.oxfordartonline.com/.
Union List of Artist Names Online, Getty Research Institute, https://www.getty.edu/research/tools/vocabularies/ulan/.
askART (database), askART, https://www.askart.com/.
Adelaide Alsop Robineau, Vase, 1910.
Glazed Porcelain, 6 1/16 x 2 7/16 in.
Saint Louis Art Museum, Bequest of Elsa K. Bertig in memory of Joseph and Elsa Bertig, 471:1979.
Adelaide Alsop Robineau, Scarab Vase (Apotheosis of the Toiler), 1910.
Porcelain, 16 x 6 in.
Museum Purchase.
Everson Museum of Art, Syracuse, New York, Museum purchase, PC 30.4.78a,b,c.
Eugene Taylor, Adelaide Robineau working on her scarab vase, 1910-1911.
Photograph.
University City Public Library, University City, Missouri.
John Knuteson, St. Louis Public Library
Published on September 20, 2021
Artist clippings file is available at:
"Adelaide Alsop Robineau: Artist File." St. Louis Public Library, St. Louis, Missouri.
Detroit Institute of Arts
Adelaide Alsop Robineau papers, 1904-1946, Archives of American Art, Smithsonian Institution.
David Conradsen and Ellen Paul Denker, University City Ceramics: Art Pottery of the American Woman's League (St. Louis: St. Louis Art Museum, 2004), 39-51.
Thomas Piche Jr. and Julia A. Monti, Only an Artist: Adelaide Alsop Robineau, American Studio Painter (Syracuse: Everson Museum of Art, 2006).
Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).
Archives of American Art, Smithsonian Institution, https://www.aaa.si.edu/.
St. Louis Public Library, Dictionary of Saint Louis Artists (St. Louis: St. Louis Public Library, 1993).
Oxford Art Online, Oxford University Press, https://www.oxfordartonline.com/.
Union List of Artist Names Online, Getty Research Institute, https://www.getty.edu/research/tools/vocabularies/ulan/.
askART (database), askART, https://www.askart.com/.
John Knuteson, St. Louis Public Library
Published on September 20, 2021
Updated on None
Knuteson, John. "Adelaide Alsop Robineau." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.