Sarah Miriam Peale

Photo of Sarah Miriam Peale
1800 -1885
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BORN
May 19, 1800
Philadelphia, Pennsylvania
DIED
February 4, 1885
Philadelphia, Pennsylvania
GENDER
RACE / ETHNICITY

Sarah Miriam Peale was born into a painting dynasty on May 19, 1800. Her parents were the painter James Peale and Mary Chambers Claypoole Peale. She learned miniature painting from her father, but she also apprenticed and studied under her uncle, Charles Wilson Peale, and her cousin, Rembrandt Peale. James, Charles, and Rembrant were all renowned painters. 

Sarah and her older sister Anna Claypoole Peale are considered to be the earliest professional female artists in the United States. In 1824, Sarah and Anna were the first women elected academicians of the Pennsylvania Academy of Fine Arts. Sarah continued to exhibit her work at the Pennsylvania Academy until 1831. 

In 1825, Sarah and Anna moved to Baltimore. There, they established a studio in the Peale museum, which operated until 1829. During her time there, Peale made over 100 commissioned portraits of prominent politicians and public figures in Baltimore and Washington, D.C., such as Thomas Hart Benton and the Marquis de Lafayette. 

After an illness, Peale moved to St. Louis in the winter of 1847, where she lived for the next thirty years. During this period, she was the leading portraitist in St. Louis. As in Baltimore, her oil portraits for prominent families were highly sought after for their exquisite detail in light, texture, and color. She also made many elegant still life paintings, which she exhibited in St. Louis fairs.  

Peale returned to Philadelphia in 1878. Sarah and Anna’s work has an important legacy in American art, as irrefutable proof of what women could accomplish with equal education and training as men. Sarah Peale died on February 4, 1885.

Note

Peale's portrait of William Johnston was included in the Mercantile Library's 2012 exhibition, The World of James Yeatman: A Vision of Art, Culture, Commerce and Politics in Early St. Louis.

Award, St. Louis Agricultural and Mechanical Association Fair
Award, St. Louis Agricultural and Mechanical Association Fair
Award, St. Louis Agricultural and Mechanical Association Fair
Award, Western Academy of Art Exhibition
Award, St. Louis Agricultural and Mechanical Association Fair

Awards & Exhibitions 32

Award, St. Louis Agricultural and Mechanical Association Fair
Award, St. Louis Agricultural and Mechanical Association Fair
Award, St. Louis Agricultural and Mechanical Association Fair
Award, Western Academy of Art Exhibition
Award, St. Louis Agricultural and Mechanical Association Fair

References

Artist clippings file is available at:

“Sarah Miriam Peale: Artist File.” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri.

“Sarah Miriam Peale: Artist File," St. Louis Public Library, St. Louis, Missouri.

Bibliography

Select Sources

Julie Dunn-Morton, 160 Years of Art at the St. Louis Mercantile Library: A Handbook to the Collections (Columbia: St. Louis Mercantile Library, 2007), 46-47.

Wilbur Harvey Hunter and John Mahey, Miss Sarah Miriam Peale, 1800-1885: Portraits and Still Life (Baltimore: Peale Museum, 1967).

Elizabeth Mankin Kornhauser, “Sarah Miriam Peale,” in American Paintings Before 1945 in the Wadsworth Atheneum (Hartford: Wadsworth Atheneum, 1996) 2: 598-600.

Anna Sue Hirshorn, “Anna Claypoole, Margaretta, and Sarah Miriam Peale: Modes of Accomplishment and Fortune,” in Lillian B. Miller, The Peale Family: Creation of a Legacy, 1770-1870 ( New York: Abbeville Press, 1996), 220-247.


Core Reference Sources

Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).

askART (database), askART, https://www.askart.com/.

William H. Gerdts, Art Across America: Two Centuries of Regional Painting, 1710-1920 (New York: Abbeville Press, 1990).

Image Credits

Artwork

Sarah Miriam Peale, Henry A. Wise, circa 1842.

Oil/Canvas, 29 1/2 x 24 1/2 in.

Virginia Museum of Fine Arts, Gift of the Duchess de Richelieu (nee Douglas Wise) in memory of James M. Wise and Julia Wise, 63.14.

Sarah Miriam Peale, Mary Leypold Griffith (1838-1841), 1841.

Oil/Canvas, 35 1/2 x 30 3/4 in.

Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum, the Catherine Walden Myer Endowment, the Julia D. Strong Endowment, and the Pauline Edwards Bequest, 2015.13.

Portrait of Artist

Sarah Miriam Peale, Self-Portrait, circa 1818.

Oil/Canvas, 23 1/2 x 18 in.

National Portrait Gallery, Smithsonian Institution, NPG.84.178.

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Learn more

References

Artist clippings file is available at:

“Sarah Miriam Peale: Artist File.” Spencer Art Reference Library, The Nelson-Atkins Museum of Art, Kansas City, Missouri.

“Sarah Miriam Peale: Artist File," St. Louis Public Library, St. Louis, Missouri.

Artist’s work in these institutions’ collections

Pennsylvania Academy of the Fine Arts

Peale Museum

Bibliography

Select Sources

Julie Dunn-Morton, 160 Years of Art at the St. Louis Mercantile Library: A Handbook to the Collections (Columbia: St. Louis Mercantile Library, 2007), 46-47.

Wilbur Harvey Hunter and John Mahey, Miss Sarah Miriam Peale, 1800-1885: Portraits and Still Life (Baltimore: Peale Museum, 1967).

Elizabeth Mankin Kornhauser, “Sarah Miriam Peale,” in American Paintings Before 1945 in the Wadsworth Atheneum (Hartford: Wadsworth Atheneum, 1996) 2: 598-600.

Anna Sue Hirshorn, “Anna Claypoole, Margaretta, and Sarah Miriam Peale: Modes of Accomplishment and Fortune,” in Lillian B. Miller, The Peale Family: Creation of a Legacy, 1770-1870 ( New York: Abbeville Press, 1996), 220-247.


Core Reference Sources

Peter H. Falk, et. al, Who was Who in American Art, 1564-1975: 400 Years of Artists in America (Madison: Sound View Press, 1999).

askART (database), askART, https://www.askart.com/.

William H. Gerdts, Art Across America: Two Centuries of Regional Painting, 1710-1920 (New York: Abbeville Press, 1990).

Contributors

Roberta Wagener, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Updated on None

Citation

Wagener, Roberta. "Sarah Miriam Peale." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.