1826 -1895
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BORN
1826
Anderson County, Kentucky
DIED
1895
Utica, Missouri
GENDER
RACE / ETHNICITY
OCCUPATION
Wheelwright
Blacksmith
Coppersmith
Silversmith

Henry Gudgell was born into slavery in Anderson County, Kentucky, in 1826. It is speculated that his young mother’s white enslaver, Samuel Arbuckle, may have been his father. In 1832, Henry moved to Ray County, Missouri, with his mother, Rachael, who was then enslaved by Arbuckle’s daughter, Elizabeth Arbuckle Gudgell, and her husband. Eventually they moved to Livingston County, Missouri, where Henry subsequently spent his life working as a well-regarded blacksmith, silversmith, coppersmith and wheelwright.

John T. Gudgell, the son of Elizabeth Arbuckle Gudgell, sold Henry to his father-in-law, Spencer Hall Gregory, in 1853. In 1861, Henry was once again sold to a Confederate soldier, John Bryan, when he met and married Chloe Woodus, a woman enslaved by Bryan who traveled with him from North Carolina. Soon after, Henry accompanied Bryan to fight in some of the earlier battles of the Civil War.

In 1863, Gudgell carved an intricately detailed walking stick in wood for his enslaver, the army officer Bryan, who had sustained a knee injury during a battle and which left him with a life-long limp. This walking stick, which was proudly used by Bryan until his death in 1899, is currently housed in the Yale Art Gallery collections. The staff appears to have been ebonized to a dark patina with an iron and vinegar mixture, which gives it a similar appearance to the darkened sacred reliquaries crafted by the Fang people of Gabon, while the added detail of snakes on the lower portion of the cane is comparable to the detail often depicted on royal scepters from the Bakongo or Kongo peoples of Central Africa in the nineteenth and twentieth centuries.

A second walking stick believed to be crafted by Gudgell was discovered by a collector in Indiana in 1982. Both canes contain designs seen in Central African iconography, including reptiles and small human figures, believed to impart prestige and protection to the owner. It is believed that Gudgell may have learned these techniques from other enslaved people over the years, including those he would have encountered in Missouri who came from North Carolina with Bryan. Likewise, other enslaved people in Missouri may have learned from Gudgell, since wood carvings with similar decoration and techniques were crafted in Missouri after he created his walking sticks.

After the Civil War, Gudgell bought twenty-two acres of land in Livingston County, Missouri, from Spencer H. Gudgell, the son of John Gudgell, his former enslaver. Over their life together, Henry and his wife, Chloe, had nine children. Gudgell continued living in Livingston County until his death in 1895 and is now buried along with his wife in the Utica Cemetery in Utica, Missouri.

Note

Gudgell was also known to make rings from melted-down coins, which he would then engrave with a “minute geometric chasing”-- a craft that he taught to his son, Edmund, and which has been compared to the same systems used by the Navajo in New Mexico for silversmithing.

References

Artist clippings file is available at:

Bibliography

Select Sources

“Henry C. Gudgell,” Find A Grave, accessed on April 16, 2021, https://www.findagrave.com/memorial/33678665/henry-c-gudgell.

“Carver: Henry Gudgell, American, 1826–1895: Cane,” Yale University Art Gallery, accessed on April 16, 2021, https://artgallery.yale.edu/collections/objects/8693.

Allan Weiss, “Finding the Other Henry Gudgell Walking Stick,” Folk Art 33 (Fall 2008): 51-54.

Robert Farris Thompson, “African Influence on the Art of America,” in Afro-American Folk Art and Crafts, ed. William R. Ferris (Jackson: University Press of Mississippi, 1983), 27-66.

Lisa Farrington, African-American Art (New York: Oxford University Press, 2017), 38-40.

“Gudgell, Henry,” Notable Kentucky African Americans Database, accessed April 16, 2021, https://nkaa.uky.edu/nkaa/items/show/1842.


Core Reference Sources

askART (database), askART, https://www.askart.com/.

Image Credits

Artwork

Henry C. Gudgell, Cane, circa 1867.

Ebonized wood, 37 x 1 1/2 in.

Yale University Art Gallery, Director’s Purchase Fund, 1968.23.

Contributors

Christain Hartman, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Learn more

References

Artist clippings file is available at:

Bibliography

Select Sources

“Henry C. Gudgell,” Find A Grave, accessed on April 16, 2021, https://www.findagrave.com/memorial/33678665/henry-c-gudgell.

“Carver: Henry Gudgell, American, 1826–1895: Cane,” Yale University Art Gallery, accessed on April 16, 2021, https://artgallery.yale.edu/collections/objects/8693.

Allan Weiss, “Finding the Other Henry Gudgell Walking Stick,” Folk Art 33 (Fall 2008): 51-54.

Robert Farris Thompson, “African Influence on the Art of America,” in Afro-American Folk Art and Crafts, ed. William R. Ferris (Jackson: University Press of Mississippi, 1983), 27-66.

Lisa Farrington, African-American Art (New York: Oxford University Press, 2017), 38-40.

“Gudgell, Henry,” Notable Kentucky African Americans Database, accessed April 16, 2021, https://nkaa.uky.edu/nkaa/items/show/1842.


Core Reference Sources

askART (database), askART, https://www.askart.com/.

Contributors

Christain Hartman, Nelson-Atkins Museum of Art

Artist Record Published

Published on September 20, 2021

Updated on None

Citation

Hartman, Christain. "Henry Gudgell." In Missouri Remembers: Artists in Missouri through 1951. Kansas City: The Kansas City Art Institute and The Nelson-Atkins Museum of Art; St. Louis: The St. Louis Public Library, 2021, https://doi.org/10.37764/5776.